This Rebec Instrument is a 150-year-old German fiddle with a shorter body than a violin, but the length of its useful strings is almost identical to the violin's. However, the rebec fiddle is played using a different bow than the violin. This article will show you how to carve a rebec fiddle neck and bridge.
Full Rebec Fiddle DIY Plans are available here!!
Carve a bridge for a Rebec Fiddle
Adding a bridge to your Rebec Fiddle is a fun project. It is important to make sure that the bridge fits properly throughout. You should try tilting the bridge forward and back to make sure the feet fit evenly. The string tension should also be checked to see if the feet rock.
The shape of a rebec fiddle is similar to that of a vielle fiddle. This means that the bridge will be arced. The rebec will have five tuning pegs. The bridge is important because it allows you to tune the instrument.
When you carve a bridge for a RebeC fiddle, it is important to keep the angle of the strings in mind. You want to avoid making the bridge too steep, as this will make the bridge difficult to play. You can use a bridge with an arched center to make it easier to play the instrument.
The instrument's name is derived from a late 15th century manuscript. It was illustrated by Robinet Testard and is now housed in the Bibliothèque Nationale de France. Its resonator has four strings and a broad body. It is played with one or two fingers and has the ability to produce both a drone and a melody.
Carving a bridge for a Rebec fiddle can be a fun and rewarding project. The instrument's unique shape is reminiscent of an early music revival instrument. The instrument's teardrop-shaped bowl resonator is made of eight ribs of wood. Each rib is separated by a thin board made of spruce.
When carving a bridge for a Rebec fiddle, it is important to remember that the strings are in a different shape. The bridge is the part of the instrument that connects the strings to the body of the instrument. To make the bridge of the instrument fit properly, you must make sure that the strings are spaced evenly so that they are not touching one another. This is not difficult if you know how to cut the bridge properly.
Earlier Rebec fiddles had a narrow body with lower bridges. Later on, the instrument developed into a five-string instrument with a wider sound range.
Carve a rosette for a Rebec Fiddle
If you're interested in learning how to make a rosette for a rebec fiddle, you have come to the right place. Rebec fiddles have two main components: the soundhole and the rosette. The soundhole protects the delicate cutwork underneath the rosette. And the rosette also adds a beautiful aesthetic to the instrument.
The rosette on a rebec fiddle can be made of wood or metal. The design of the rosette is generally pear-shaped, as seen in the 15th century De Musica de Boethius manuscript in the Biblioteca Ambrosiana in Milan. The shape of the instrument itself varies from the standard pear-shaped rebec.
The rebec fiddle was popular in the thirteenth to sixteenth centuries. It was often used in tea houses during the Ottoman Empire. Its sound was quite distinctive and it is believed that the instrument had a parallel form in the 9th century Byzantine culture. It was likely played on the shoulder like the violin and upright like the cello, and had intervals of a fifth and treble.
In addition to the rosette, the instrument is also often decorated with other decorative features. These are available on special orders. A rosette can be found in many places, including cathedrals. One example is in the Cathedral of Oloron-Sainte Marie.
Carving a rosette for a rebec fiddle is easy and quick. It takes only a couple of hours and is a beautiful way to decorate your instrument. There are many different designs and patterns to choose from. Some of these are simple, while others may require extensive work.
Once you've created the outline for your rosette, it's time to shape the body of the instrument. You should first draw your design onto a maple block. Then you'll need to sand the piece down to the final form. The rest of the pieces will be held in place by the strings, not glued on.
Traditionally, fiddles were played in church. As early as the 13th century, fiddles were often brought into church, where they were used for choral music. Saint Francis himself mentioned fiddles in his writings. The fiddle was played in two ways: solo and in consort with other instruments.
Carve a body for a Rebec Fiddle
Carving a body for a Rebec fiddle can be a very fun and rewarding project. This pear-shaped instrument has three strings, and a sculptured figure is used to play it. A bow is typically used, as well. The rebec has its own specific style and tone, and a good body will make the instrument play beautifully.
The rebec was used in medieval and Renaissance court music. It became a low-status instrument during the baroque period, and was almost forgotten by the end of the nineteenth century. Early writings about the rebec describe it as having a shrill sound similar to that of a woman's voice.
In the early Middle Ages, the rebec fiddle was a pear-shaped instrument with three strings and a bow. Its body was narrower, and the bridges were lower. It was similar to a violin, but lacked a sound-post that connected the front to the back.
If you are interested in learning about early stringed instruments, you may want to check out a luthier's website. He specializes in making instruments from various parts of the Middle Ages. His website is in Spanish, but he offers a photo sequence of the construction process of a three-string rebec or rebab. However, the site does not list prices or the sound of the instruments.
A rebec fiddle is a unique instrument. It is a European descendant of the Arabic rabab. It has three strings and is played with the chin or arm, similar to a violin. A rebec fiddle can be tuned using the same strings as a violin, and has historically been played in art music.
The body of a rebec fiddle is a shallow pear shape. The rebec's body is held against the player's chest or chin. Some early rebec fiddles even had a "bordunus" or drone string, which was strung off the soundboard.
When it comes to rebec fiddles, a lot of time and effort is required to make a good one. Rebec fiddles were a popular instrument in the Middle Ages. Almost two centuries ago, Jerome of Moravia described a bowed instrument with two strings, but he did not mention a rebec.
Carve a neck for a Rebec Fiddle
A Rebec Fiddle is a three-stringed instrument that has an incredibly bright sound. It is a wonderful solo melody instrument. There are several different kinds of Rebecs available, including a standard model and an artist model. Artist models are more detailed than standard versions.
A rebec's sound is generally high-pitched, and sometimes shrill. It is said to sound like a female's voice. In 1343, Archpriest Juan Ruiz de Hita described the instrument. Other sources, including the 15th century text Tinctoris, describe a rebec as having a higher, shrill sound.
The rebec was a popular medieval instrument. It was commonly played throughout western Europe, and survived until the late baroque period. However, its reputation has dwindled since its medieval heyday, when it was a regal courtly instrument. Today, it is a common street instrument.
Rebecs typically have three strings, but they can vary from two to five. Those with three strings seem to be the most common. Early rebecs may also have had drone strings (also known as "bordunus") strung off the soundboard.
The earliest Rebec instruments date to the eleventh to fourteenth centuries. They are often inscribed with an Anglo-Saxon iconography. An example of an instrument from this time period can be found in the British Library, which is a major repository of early stringed instruments.
The rebec was a popular instrument for religious and art music throughout the Middle Ages. The rebec is commonly played by resting the instrument on the armpit or shoulder. The instrument often has frets. In the 17th century, rebecs were associated with dance music and secular instrumental music. Nowadays, they are similar to country fiddling.
The history of the rebec is a fascinating study. While the distinction between a fiddle and a rebec is somewhat blurred, the rebec is at least 150 years old, and its origins lie in Asia. The instrument has a pear-shaped body and a neck that is almost the same length as a violin. It has three strings, and is played with a bow.
If you want a rebec made by an artist, consider contacting a luthier in the UK, who specializes in Medieval and early stringed instruments. The quality of his work is quite high and his prices are reasonable.